March 23, 2026 · 1 min read

    A Space-Age Fantasy on Sentosa: Building the World of LightSeeker

    Inside LightSeeker at Resorts World Sentosa (2013–14) — Patrick Larsen's production design for one of Singapore's most technically ambitious original stage musicals.

    LightSeeker at the Festive Grand Theatre, Resorts World Sentosa (2013–14). Production design by Patrick Larsen.
    LightSeeker at the Festive Grand Theatre, Resorts World Sentosa (2013–14) — an original space-age fantasy musical. Production design by Patrick Larsen.

    LightSeeker was Resorts World Sentosa's third home-grown production — a roughly 90-minute original space-age fantasy musical at the Festive Grand Theatre, running 22 November 2013 to 23 March 2014. It was produced by Andrea Teo and directed by Michael La Fleur, with songs by Dick Lee. I was the production designer.

    The Festive Grand Theatre stage built for LightSeeker
    The Festive Grand Theatre stage built for LightSeeker. Production design by Patrick Larsen.

    A world built from scratch

    The story was wholly invented — a villain called "The General" trying to drain the life-force ("The Light") from a forest-goddess, Nova. With no existing reference to lean on, every environment — forest, throne room, the rest — had to be imagined, drawn and built so the audience would believe a place that never existed.

    LightSeeker's throne-room set
    The throne-room set, one of LightSeeker's invented environments. Production design by Patrick Larsen.

    A wall of light

    The show was anchored by a 10-by-20-metre LED backdrop carrying about 54 computer-generated environments. Instead of swapping painted flats between scenes, we changed worlds on screen. Weaving filmed sequences with live performers wasn't standard practice yet — we figured a lot of it out as we went.

    Physical set structures in front of a 10×20-metre LED backdrop
    Physical set structures worked in front of a 10×20-metre LED backdrop carrying around 54 computer-generated environments.
    Performers on the central LightSeeker stage
    Performers on the central stage. The design blended live action with screen-driven scenery throughout the show.

    Keeping the humans in it

    The hardest part of designing around that much screen is making sure the people on stage don't get swallowed by it. The set work gave performers a real, tactile world to occupy — platforms, structures, scenic pieces — while the LED carried us light-years away. The two layers had to read as one continuous place, or the whole thing falls apart.

    Cast and acrobatic performers on the LightSeeker set
    Cast and acrobatic performers on the LightSeeker set. Production design by Patrick Larsen.
    Scene built around LightSeeker's central platform
    A scene built around the show's central platform and surrounding structures.

    What it was

    LightSeeker ran a limited season. Critics liked the spectacle and acrobatics; some wanted more from the characters. Fair enough. As a piece of stagecraft, it taught me a lot about working with screens at scale before that became normal — and a lot of what I now do at much bigger scale started there.

    LightSeeker, Resorts World Sentosa (2013–14)
    LightSeeker, Resorts World Sentosa (2013–14). Production design by Patrick Larsen.

    Written by Patrick Larsen Emmy Award-Winning Production Designer. More essays →